![]() Woven into the film are storylines that converge on the Redline. This kind of exposition is in-character, allowing readers to be aware without seeming tedious. When the Redline takes place close to home, they also state their disdain and concerns over hiding their military secrets. When workers rebel against their Robo World overlords, the Robo villains state exactly that. Given their on-the-nose depictions, it’s fitting they also do the same in the story. Borrowing some conventions, they have a chessboard mapping their targets, a furless cat they pet, and a hyper disintegrator-cannon which they quite proudly named Literally. The Robo World characters, while not actual robots, are clearly depicted as the villains. However, they break their promise and try to kill the racers, turning the Redline race into an obstacle course with bullets. The location of the Redline is on a demilitarized planet that they promised to leave for refugees. The race of aliens on Robo World are the obstacles and antagonists on the film. These logical deductions are also spelled out in the script. If people must qualify, then this race is the best of the best. The Redline, by inference, is a race with bigger bets at stake. ![]() Thus when that race is called the Yellowline, it’s literal. If a driver manages to get past the yellow line first, then they win. For example, the first race is a qualifying race. Since character designs transfer to their vehicle designs and dialogue, viewers can make logical deductions on how a character will act. To convey its story, the film borrows its approach to its characters. Redline is a film where its pacing moves as quickly as its races. That earnestness supplements an already adrenaline-filled movie. ![]() Not only do they wear their hearts on their sleeves, but each character races whole-heartedly for the finish line. Part of the charm is how character designs communicate character. Their “magical transformation” turns their vehicle from machine to an over-the-top performance and visual “sensation.” The magical girl duo, or the “cosplaying rejects from a porno,” as the Robo World residents call them, are especially flamboyant. When he injects nitro, a booster that allows cars to run faster, his muscle burst like he used steroids. Cars like the Machinehead Tetsujin are literal extensions of the body, his car exterior changing to fit his muscular frame. Redline is fully aware of this idea, evident through its character and car designs. You can learn just as much about a person from their car as you can from how they speak. From external modifications like color to internal changes like hydraulic lifts to raise or lower your car, there is an entire culture behind personalizing your vehicle. ![]() Car promotional material and marketing sell them not just as a vehicle but as a catalyst for the spirit of adventure-freedom unrestrained.Ĭustomizing your car can be seen as a way to display your personality. It is not uncommon to view cars as extensions of the driver. ![]()
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